1984 studio album by Tina Turner
Private Dancer is the fifth solo studio album by American singer Tina Turner . It was released on May 29, 1984, by Capitol Records and was her first album released by the label. After a challenging start to her solo career after divorcing Ike Turner , Private Dancer propelled Turner into becoming a viable solo star, as well as one of the most marketable crossover singers in the recording industry. It became a worldwide commercial success, earning multi-platinum certifications , and remains her best-selling album in North America to date. In 2020, the album was selected by the Library of Congress for preservation in the National Recording Registry for being "culturally, historically, or aesthetically significant".[ 5]
Background and production [ edit ]
A&R man John Carter of Capitol Records is credited with relaunching the career of Tina Turner in the 1980s.[ 6] In 1983, despite opposition from within Capitol, he signed her and managed her first album for the label, Private Dancer . Recording sessions were overseen by four different production teams and took place at several studios in England , including Rupert Hine , and Martyn Ware of Heaven 17 .[ 7] A radical departure from the rhythm and blues sound Turner had performed with her former husband and performing partner Ike Turner , the tracks in the album are a mixture of uptempos and ballads , inspired by pop and rock genres; it also features elements of smooth jazz and R&B .
"Let's Stay Together " was produced by Martyn Ware of British band Heaven 17 . Terry Britten produced the reggae-tinged "What's Love Got to Do with It ". Rupert Hine produced "Better Be Good to Me ", which had been written by Holly Knight , Mike Chapman , and Nicky Chinn, and most of the other songs.[ 8] John Carter produced "Private Dancer ", which was written by Mark Knopfler and has a guitar solo by Jeff Beck . "Help! " was recorded with The Crusaders .
In 1997, EMI , the parent label of Capitol Records , released a digitally remastered Centenary Edition of the Private Dancer album on CD. This version includes four additional demo tracks recorded in late 1983 and early 1984 with the producer John Carter , first released as B-sides to some of the Private Dancer singles; it also includes three extended 12" remixes.
In 2015, the 30th Anniversary edition of this album was released by the Parlophone Records unit of Warner Music Group which now controls this album.[ 9] On March 21, 2025, Parlophone released a five disc and blu-ray deluxe edition.[ 10]
A 177 date tour to promote the album took place from February 8, 1985, to December 28, 1985. Called the Private Dancer Tour, there were 60 shows in Europe, 105 in North America, 10 in Australia, and 2 in Japan. Opening acts in North America included Glenn Frey and Mr. Mister . As well as songs from the album, Turner performed hits from her time with Ike & Tina , such as "River Deep – Mountain High ", "Nutbush City Limits ", and "Proud Mary ".
The album received a positive reception from critics. The Los Angeles Times wrote that Turner's voice "melts vinyl".[ 20]
Debby Miller, in a July 1984 Rolling Stone review, felt that the album was a powerful comeback, with Turner's voice "rasping but strong", and a range of songs that were all good in a "modern rock setting" that was "neither detached nor very fussy".[ 8] Robert Christgau of The Village Voice felt that she embraced the "middlebrow angst of contemporary professional songwriting". He said that "four different production teams" on the project was a "sign of desperation", despite the resulting "seamless authority" of the album.[ 21]
Alex Henderson, in a retrospective AllMusic review, says that the album was slicker than her R&B classics recorded with Ike & Tina , but she was still able to sing with a throaty passion to deliver her finest solo production.[ 11] Stephen Holden has written in The New York Times that by using her English producers to soften her raw Southern soul style, discarding the "blaring horns, frenzied percussion and gospel calls and responses", the album became a "landmark" in the "evolution of pop-soul music".[ 7]
Michael Lydon, in Robert Dimery's 1001 Albums You Must Hear Before You Die , says that the album's lyrical themes embodied her persona of a "tough, sexy woman schooled in a tough world", and that her vocal delivery overcomes the slick production, with her "indomitable soul" unifying the multiple producers.[ 22] In 1989, the album was ranked number 46 on Rolling Stone magazine's list of The 100 Greatest Albums of the '80s. In 2001, VH1 named Private Dancer the 95th greatest album of all time. Slant Magazine listed the album at number 63 on its list of "Best Albums of the 1980s", saying, "Both a personal liberation and sonic redemption, Private Dancer established Turner not only as a genuine diva, but a bona fide force of nature".[ 23]
In January 2025, Parlophone announced a 40th anniversary edition of the album to be released on March 21, 2025. The edition was preceded by the release of "Hot for You Baby," a previously undiscovered song from the Private Dancer sessions written by George Young and Harry Vanda .[ 24]
The album was released on May 29, 1984, and became an outstanding global commercial success.[ 25] [ 26] [ 27] The album peaked at number three on the Billboard 200 chart for ten consecutive weeks[ 28] and remained in the top ten for 39 weeks from August 1984 to May 1985. In the United States it was certified 5× platinum.[ 29] In Germany, the album went 5× gold becoming one of the best selling albums in history . It peaked at number two on the UK Albums Chart , where it was certified 3× platinum, remaining on the charts for 150 total weeks. It was certified 7× platinum for the shipment of over 700,000 copies in Canada by the Canadian Recording Industry Association . The album has sold more than 12 million copies worldwide.[ 30] [ 31] At the 1985 Grammy Awards , Private Dancer won four of the six awards for which it was nominated.
International edition [ edit ]
Title Writer(s) Producers 1. "I Might Have Been Queen" Hine 4:10 2. "What's Love Got to Do with It" Britten 3:48 3. "Show Some Respect" Britten 3:18 4. "I Can't Stand the Rain" Britten 3:41 5. "Private Dancer" Knopfler Carter 7:11 6. "Let's Stay Together" Mitchell Green Jackson, Jr. 5:16 7. "Better Be Good to Me" Hine 5:11 8. "Steel Claw" Brady Carter 3:48 9. "Help! " 4:30 10. "1984" Bowie 3:09
1997 Centenary Edition bonus tracks Title Writer(s) Producers 11. "I Wrote a Letter" Inga Rumpf Carter 3:24 12. "Rock 'n Roll Widow" Tom Snow Carter 4:45 13. "Don't Rush the Good Things" Neil Gammack Carter 3:46 14. "When I Was Young " Carter 3:11 15. "What's Love Got to Do with It" (Extended 12" Remix) Britten 5:48 16. "Better Be Good to Me" (Extended 12" Remix) (edit) Hine 7:03 17. "I Can't Stand the Rain" (Extended 12" Remix) Britten 5:45
2015 30th Anniversary Edition bonus disc [ edit ]
2025 Deluxe edition [ edit ]
CD 1: Private Dancer (2015 Remaster) Title Writer(s) 1. "I Might Have Been Queen" 4:10 2. "What's Love Got to Do with It" 3:48 3. "Show Some Respect" 3:18 4. "I Can't Stand the Rain" 3:41 5. "Private Dancer" Knopfler 7:11 6. "Let's Stay Together" Mitchell Green Jackson, Jr. 5:16 7. "Better Be Good to Me" 5:11 8. "Steel Claw" Brady 3:48 9. "Help!" 4:30 10. "1984" Bowie 3:09
CD 2: B-sides, Single Edits & Extended Versions Title Writer(s) 1. "I Wrote A Letter" Rumpf 3:25 2. "Rock'n'Roll Widow" Snow 4:41 3. "Don't Rush The Good Things" Gammack 3:46 4. "When I Was Young" Burdon Briggs Weider McCulloch 3:08 5. "Keep Your Hands Off My Baby" 3:29 6. "Let's Stay Together" (Single Edit) Mitchell Green Jackson, Jr. 3:41 7. "Help!" (Single Edit) 3:45 8. "Better Be Good To Me" (Single Edit) 3:42 9. "Private Dancer" (Single Edit) Knopfler 4:02 10. "What's Love Got To Do With It" (Extended 12" Remix) 5:43 11. "Better Be Good To Me" (Extended 12" Remix) 7:45 12. "I Can't Stand The Rain" (Extended 12" Remix) 5:41 13. "Show Some Respect" (Extended Mix) 5:43
CD 3: Previously Unreleased & Rare Tracks Plus Other Singles Title Writer(s) 1. "Hot For You Baby" 4:43 2. "Let's Stay Together" (Alternative Radio Mix, 1983) Mitchell Green Jackson, Jr. 3:50 3. "Let's Stay Together" (TV Instrumental) Mitchell Green Jackson, Jr. 4:29 4. "What's Love Got To Do With It" (Dub Mix) 3:56 5. "Private Dancer" (Sterling Version) Knopfler 4:03 6. "Total Control" 6:25 7. "Ball of Confusion" (Remix) 4:11 8. "We Don't Need Another Hero (Thunderdome) " 4:15 9. "One Of The Living " Knight 4:13 10. "We Don't Need Another Hero" (Extended Remix) 6:07 11. "One Of The Living" (Special Club Mix) Knight 7:38 12. "We Don't Need Another Hero" (Instrumental) 6:33 13. "One Of The Living" (Dub Version) Knight 5:12
CD4: World Tour ‘84 – Live at Park West, Chicago – August 2, 1984 Title Writer(s) 1. "Let's Pretend We're Married" Prince 4:18 2. "Show Some Respect" 3:48 3. "I Might Have Been Queen" 3:44 4. "River Deep, Mountain High " 4:00 5. "Nutbush City Limits " Tina Turner 3:04 6. "What's Love Got To Do With It" 4:13 7. "I Can't Stand The Rain" 3:43 8. "Better Be Good To Me" 6:43 9. "Private Dancer" Knofler 6:32 10. "Let's Stay Together" Mitchell Green Jackson, Jr. 8:03 11. "Help!" 4:55 12. "Proud Mary " John Fogerty 8:00 13. "Legs " 10:25
CD 5: Private Dancer Tour – Live From Nec, Birmingham 1984 Title Writer(s) 1. "Show Some Respect" 3:43 2. "I Might Have Been Queen" 3:45 3. "What's Love Got To Do With It" 3:58 4. "I Can't Stand The Rain" 3:27 5. "Better Be Good To Me" 6:33 6. "Private Dancer" Knofler 6:19 7. "Let's Stay Together" Mitchell Green Jackson, Jr. 4:52 8. "Help!" 5:25 9. "It's Only Love" (Featuring Bryan Adams) 5:31 10. "Tonight" (Featuring David Bowie) Bowie 4:18 11. "Let's Dance, Version I" (Featuring David Bowie) Bowie 1:04 12. "Let's Dance, Version II" (Featuring David Bowie) Bowie 4:15
Blu-ray Title 1. "Show Some Respect" (Live From NEC, Birmingham, 1985) 2. "I Might Have Been Queen" (Live From NEC, Birmingham, 1985) 3. "What's Love Got To Do With It" (Live From NEC, Birmingham, 1985) 4. "I Can't Stand The Rain" (Live From NEC, Birmingham, 1985) 5. "Better Be Good To Me" (Live From NEC, Birmingham, 1985) 6. "Private Dancer" (Live From NEC, Birmingham, 1985) 7. "Let's Stay Together" (Live From NEC, Birmingham, 1985) 8. "Help!" (Live From NEC, Birmingham, 1985) 9. "It's Only Love" (Live From NEC, Birmingham, 1985, featuring Bryan Adams) 10. "Tonight" (Live From NEC, Birmingham, 1985, featuring David Bowie) 11. "Let's Dance – Version I" (Live From NEC, Birmingham, 1985, featuring David Bowie) 12. "Let's Dance – Version II" (Live From NEC, Birmingham, 1985, featuring David Bowie) 13. "Let's Stay Together" (Promo video) 14. "Help!" (Promo Video) 15. "What's Love Got To Do With It" (Colour Version) 16. "What's Love Got To Do With It" (B/W Version) 17. "Better Be Good To Me" (Promo video) 18. "Private Dancer" (Full Length Version) 19. "Private Dancer" (Promo video) 20. "Show Some Respect" (Promo video)
Tina Turner – lead vocals (all tracks), background vocals (1, 7, 8)
Gary Barnacle – saxophone (6)
Jeff Beck – guitar (8, 9)
Terry Britten – guitar (2,[ 32] 3, 4), background vocals (2,[ 32] 3), bass (2),[ 32] drum programming (2)[ 32]
Graham Broad – drums (4)
Alex Brown – background vocals (9)
John Carter – percussion (5)
Leon "Ndugu" Chancler – drums (9)
Alan Clark – keyboards (5, 8), percussion (5)
Mel Collins – saxophone (5)
David Cullen – string arrangements (10)
Cy Curnin – background vocals (1, 7)
Jullian Diggle – percussion (5)
David Ervin – synthesizer , programming (9)
Gwen Evans – background vocals (9)
Charles Fearing – guitar (9)
Wilton Felder – bass guitar (9), saxophone (9)
Nick Glennie-Smith – keyboards (2,[ 32] 3, 4)
Glenn Gregory – background vocals (6, 10)
Rupert Hine – bass guitar (1, 7), keyboards (1, 7), percussion, programming (1, 7), background vocals (1, 7)
Graham Jarvis – Oberheim DX (2, 3)
John Illsley – bass guitar (5, 8)
Hal Lindes – guitar (5, 8)
Billy Livsey – Yamaha DX7 synthesizer (2),[ 32] keyboards (3)
Trevor Morais – drums (1, 7)
Simon Morton – percussion (2)[ 32]
Tessa Niles – background vocals (2, 3)
Frank Ricotti – percussion (6)
Ray Russell – guitar (6)
Joe Sample – synthesizer (9), piano (9)
David T. Walker – guitar (9)
Martyn Ware – programming, electronic drums (6, 10), arrangements (6, 10), background vocals (6, 10)
Greg Walsh – programming (6, 10), arrangements (6, 10)
Jamie West-Oram – guitar (1, 7)
Jessica Williams – background vocals (9)
Terry Williams – drums (5, 8)
Nick Plytas – piano, synthesizer (6, 10)
Richie Zito – guitar (8)
Production
Terry Britten – producer (2,[ 32] 3, 4)
John Carter – producer (5, 8)
Leon "Ndugu" Chancler – producer (9)
Wilton Felder – producer (9)
Rupert Hine – producer (1, 7)
Joe Sample – producer (9)
Greg Walsh – producer & engineer (6, 10)
Martyn Ware – producer (6, 10)
F. Byron Clark – engineer (9)
John Hudson – engineer & mixing (2,[ 32] 3, 4)
Walter Samuel – engineer (6, 10)
Stephen W. Tayler – engineer & mixing (1, 7)
Humberto Gatica – remixing (5, 8)
Alan Yoshida – mastering
Akira Taguchi – compilation producer
Sam Gay – creative director
Roy Kohara – art direction
John O'Brien – design
Peter Ashworth – photography
Roger Davies – management
Chip Lightman – management
Certifications and sales [ edit ]
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